DIALOGUE THROUGH GLASS
Outlines of landscapes, as well as the silhouette of the human face are individual, unique. I have always been interested in the contour of a face, the distinctive curved line one owns throughout live. Beholding someone’s face from the side, I can see the person in a way they would never see themselves. Just as my own silhouette remains hidden from myself.
DIALOGUE THROUGH GLASS 1
2024, Cyanotype
50 x 67 cm / 18 x 25 inches
DIALOGUE THROUGH GLASS 2
2024, Cyanotype
33 x 33 cm / 13 x 13 inches
DIALOGUE THROUGH GLASS 3
2024, Cyanotype
40 x 50 / 16 x 20 inches
DIALOGUE THROUGH GLASS 4
2024, Cyanotype
13 x 21 cm / 12 x 8 inches
DIALOGUE THROUGH GLASS 5
2024, Cyanotype
40 x 50 cm / 16 x 20 inches
DIALOGUE THROUGH GLASS 6
2024, Cyanotype
33 x 33 cm / 13 x 13 inches
DIALOGUE THROUGH GLASS 7
2024, Cyanotype
32 x 21 cm / 13 x 18 inc
DIALOGUE THROUGH GLASS 8
Cyanotype on cotton rag paper
32 x 21 cm / 13 x 8 in
LANGSAMKEIT
Landscapes, cityscapes, faces of today and yesterday, they are all SCAPES in my mind´s eye. Variations of reality and my idea of it, to always look at it from a different angle – weaving past and present into a valid moment – a unique moment never happening again, impossible to be recreated again. The images mirror a concealed past, another time, yet also something else after all these years – glimpses of something that remains open ended.
LANGSAMKEIT 1
2024, Cyanotype
21 x 30 cm / 8 x 12 inches
LANGSAMKEIT 2
2024, Cyanotype
21 x 30 cm / 8 x 12 inches
LANGSAMKEIT 3
2024, Cyanotype
21 x 30 cm / 8 x 12 inches
LANGSAMKEIT 4
2024, Cyanotype
35 x 40 cm / 15 x 16 Inches
LANGSAMKEIT 5
2024, Cyanotype
38 x 55 cm / 15 x 22 inches
LANGSAMKEIT 6
2024, Cyanotype
33 x 47 cm / 13 x 18 inches
LANGSAMKEIT 7
2024, Cyanotype
33 x 33 cm / 13 x 13 inches
LANGSAMKEIT 8
2024, Cyanotype
33 x 33 cm / 13 x 13 inches
LANGSAMKEIT 9
2024, Cyanotype
38 x 39,5 cm / 15 x 19 inches
LANGSAMKEIT 10
2024, Cyanotype
28 x 14cm / 11 x 16 inches
DUST IN THE WIND
The small dusty box in the cupboard – forgotten images of a time long ago, revealed to me. Random small piles of photographic negatives, scratched layers of past realities. Images of a space which does not exist anymore…early exposures, fragments and cut outs, I gradually tried to find a form to uncover and appreciate these found objects, eventually tried to bring these early exposures to live – as a person of today.
DUST IN THE WIND 1
1996/2020, Cyanotype
113 x 123 cm, 45 x 49 inches
THE GLOWING COLD 1
1996 x 2020, Cyanotype
145 x 80 cm / 57 x 31,5 inches
THE GLOWING COLD 4
1996/2020, Cyanotype
145 x 80 cm / 57 x 31,5 inches
ABYSS
1996/2020, Cyanotype
114 x 138 cm / 45 x 54 inches
INDECIPHERABLE
1996/2020, Cyanotype
89 x 200 cm / 35 x 79 inches
DOORS
2010 / 2020, Cyanotype
99 x 206 cm / 39 x 81 inches
THE HOUSE WITH THE ECHO I
2010 / 2021, Cyanotype
130 x 200 cm / 51 x 80 inches
THE HOUSE WITH THE ECHO II
2010 / 2021, Cyanotype
130 x 200 cm / 51 x 80 inches
THAMES
2010 / 2012, Cyanotype
107 x 80 cm / 42 x 31,5 inches
WINDOWS 1
1996 / 2020, Cyanotype
68 x 70 / 27 x 67 inches
WINDOWS 2
1996 / 2020, Cyanotype
68 x 70 / 27 x 67 inches
WINDOWS 6/1
1996 / 2020, Cyanotype
68 x 57 cm / 42 x 22 inches
WINDOWS 6/2
1996 / 2020, Cyanotype
68 x 57 cm / 42 x 22 inches
BERLIN RIDE
Contemplating the world through a window as a filter. My work is based on emotions, beyond grand theories it is subject to transience and it´s fleeting both in the mind’s eye and materially. The journey commences at the first stop and ends at the last stop, which is the same – no starting and no ending point to it.
BERLIN RIDE 1
2009/2029, Cyanotype
90 x 123 cm / 35,5 x 38,5 inches
BERLIN RIDE 2
2009/2029, Cyanotype
90 x 123 cm / 35,5 x 38,5 inches
BERLIN RIDE 3
2009/2029, Cyanotype
90 x 133 cm / 35,5 x 41 inches
BERLIN RIDE 4
2009/2029, Cyanotype
90 x 123 cm / 35,5 x 38,5 inches
BERLIN RIDE 5
2009/2029, Cyanotype
90 x 123 cm / 35,5 x 41 inches
BERLIN RIDE 6
2009/2029, Cyanotype
90 x 127 cm / 35,5 x 40 inches
JOURNEY
A train journey in northern Germany on a rainy day, sitting by the window. From time to time a picture is taken, the camera catches a cottage, bridges over rivers and canals, an oncoming train, moments that reflect the character of this area and the atmosphere of this very day.
JOURNEY 1 / 2008
Cyanotype on etching paper
55 x 85 cm
JOURNEY 2 / 2008
Cyanotype on etching paper
55 x 85 cm
JOURNEY 3 / 2008
Cyanotype on etching paper
55 x 85 cm
JOURNEY 4 / 2008
Cyanotype on etching paper
55 x 85 cm
JOURNEY 5 / 2008
Cyanotype on etching paper
55 x 85 cm
JOURNEY 6 / 2008
Cyanotype on etching paper
55 x 85 cm
JOURNEY 7 / 2008
Cyanotype on etching paper
55 x 85 cm
JOURNEY 8 / 2008
Cyanotype on etching paper
55 x 85 cm
JOURNEY 9 / 2008
Cyanotype on etching paper
55 x 85 cm
JOURNEY 10 / 2008
Cyanotype on etching paper
55 x 85 cm
JOURNEY 11 / 2008
Cyanotype on etching paper
55 x 85 cm
JOURNEY 12 / 2008
Cyanotype on etching paper
55 x 85 cm
JOURNEY 13 / 2008
Cyanotype on etching paper
55 x 85 cm
WINTERJOURNEY
I like the idea of looking at an image as if looking through a window – the idea of entering this image, arriving. Yet what l see passes me by, and I let it. I let everything pass by, landscapes, cities, people.
WINTER JOURNEY 1 / 2010
Cyanotype on etching paper
78 x 106 cm, 31 x 42 inches
WINTER JOURNEY 2 / 2010
Cyanotype on etching paper
78 x 106 cm, 31 x 42 inches
WINTER JOURNEY 3 / 2010
Cyanotype on etching paper
78 x 106 cm, 31 x 42 inches
WINTER JOURNEY 4 / 2010
Cyanotype on etching paper
78 x 106 cm, 31 x 42 inches
WINTER JOURNEY 5 / 2010
Cyanotype on etching paper
78 x 106 cm, 31 x 42 inches
WINTER JOURNEY 6 / 2010
Cyanotype on etching paper
78 x 106 cm, 31 x 42 inches
WINTER JOURNEY 7 / 2010
Cyanotype on etching paper
78 x 106 cm, 31 x 42 inches
PASSING BY
It´s passing by – Time is transient and impermanent – memory has a lot to do with it. Our life develops itself – and in retrospect we are looking at our lifetime – we look at it like at a big picture. It is a picture we have to let go of.
PASSING BY 1 / London, 2015
Cyanotype, 90 x 125 cm, 35 x 50 inches
PASSING BY 2 / London, 2015
Cyanotype, 110 x 73 cm, 43 x 29 inches
PASSING BY 3 / London, 2015
Cyanotype, 109 x 72 cm, 43 x 28 inches
PASSING BY 4 / Berlin, 2015
Cyanotype, 83 x 147 cm, 33 x 58 inches
DWELLINGS
To me, photography has similarities with painting and my work is as much at home in painting and printmaking as well as in the medium of photography. Creating a cyanotype has a very graphic, as well as a painterly side to it. It’s about the aesthetic of the surfaces. This process combines the visual language of painting, printmaking and photography
DWELLINGS 1 / Berlin, 2009
toned cyanotypes
50 x 70 cm, 23 x 31 inches
DWELLINGS 2 / Berlin 2009
toned cyanotypes
50 x 70 cm, 23 x 31 inches
DWELLINGS 3 / Berlin 2009
toned cyanotypes
50 x 70 cm, 23 x 31 inches
DWELLINGS 4 / Berlin 2009
toned cyanotypes
50 x 70 cm, 23 x 31 inches
DWELLINGS 5 / Berlin 2009
toned cyanotypes
50 x 70 cm, 23 x 31 inches
AT THE WINDOW
Window as a boundary between the inside and the outside, window as a frame.
AT THE WINDOW 1
2001, pinhole camera image
archival pigment print
55 x 55 cm, 22 x 22 inches
AT THE WINDOW 2
2001, pinhole camera image
archival pigment print
55 x 55 cm, 22 x 22 inches
AT THE WINDOW 3
2001, pinhole camera image
archival pigment print
55 x 55 cm, 22 x 22 inches
NEVER ENDING
Faces pass by, gazing at each other or at something. Immersing into an endless room, analog of social media. – Self portrait with remote shutter release – leafing through magazines.
NEVER ENDING 1 / 2006
Toned Cyanotype
50 x 65 cm
NEVER ENDING 2 / 2006
Toned Cyanotype
50 x 65 cm
NEVER ENDING 3 / 2006
Toned Cyanotype
50 x 65 cm
NEVER ENDING 4 / 2006
Toned Cyanotype
50 x 65 cm
NEVER ENDING 6 / 2006
Toned Cyanotype
50 x 65 cm
NEVER ENDING 5 / 2006
Toned Cyanotype
50 x 65 cm
NEVER ENDING 7 / 2006
pinhole camera image
archival pigment print
22 x 22 inches
NEVER ENDING 8 / 2006
Toned Cyanotype
50 x 65 cm
NEVER ENDING 9 / 2006
Toned Cyanotype
50 x 65 cm
READING KIERKEGAARD
I am reading the same Texts over and over again, comparing it with the present and my memories. My mind´s eyes images mirror a concealed past, a hidden time yet also something else glimpses of a tale that remains open-ended.
READING KIERKEGAARD 1 / 2002
10 x 8 plate camera / 5 min exposure time
Size 10 x 8 inches
Hand printed on silver gelatine paper, 25 x 20 cm, 10 x 8 inches
and as Cyanotype, 53 x 40 cm, 21 x 16 inches
READING KIERKEGAARD 2 / 2002
10 x 8 plate camera / 5 min exposure time
Size 10 x 8 inches
Hand printed on silver gelatine paper, 25 x 20 cm, 10 x 8 inches
and as Cyanotype, 53 x 40 cm, 21 x 16 inches
READING KIERKEGAARD 3 / 2002
10 x 8 plate camera / 5 min exposure time
Size 10 x 8 inches
Hand printed on silver gelatine paper, 25 x 20 cm, 10 x 8 inches
and as Cyanotype, 53 x 40 cm, 21 x 16 inches
READING KIERKEGAARD 4 / 2002
10 x 8 plate camera / 5 min exposure time
Size 10 x 8 inches
Hand printed on silver gelatine paper, 25 x 20 cm, 10 x 8 inches
and as Cyanotype, 53 x 40 cm, 21 x 16 inches
READING KIERKEGAARD 5 / 2002
10 x 8 plate camera / 5 min exposure time
Size 10 x 8 inches
Hand printed on silver gelatine paper, 25 x 20 cm, 10 x 8 inches
and as Cyanotype, 53 x 40 cm, 21 x 16 inches
READING KIERKEGAARD 6 / 2002
10 x 8 plate camera / 5 min exposure time
Size 10 x 8 inches
Hand printed on silver gelatine paper, 25 x 20 cm, 10 x 8 inches
and as Cyanotype, 53 x 40 cm, 21 x 16 inches
READING KIERKEGAARD 7 / 2002
10 x 8 plate camera / 5 min exposure time
Size 10 x 8 inches
Hand printed on silver gelatine paper, 25 x 20 cm, 10 x 8 inches
and as Cyanotype, 53 x 40 cm, 21 x 16 inches
READING KIERKEGAARD 8 / 2002
10 x 8 plate camera / 5 min exposure time
Size 10 x 8 inches
Hand printed on silver gelatine paper, 25 x 20 cm, 10 x 8 inches
and as Cyanotype, 53 x 40 cm, 21 x 16 inches
READING KIERKEGAARD 9 / 2002
10 x 8 plate camera / 5 min exposure time
Size 10 x 8 inches
Hand printed on silver gelatine paper, 25 x 20 cm, 10 x 8 inches
and as Cyanotype, 53 x 40 cm, 21 x 16 inches
ENLIGHTENMENT
My endless journeys to enlightend Junkspaces – the countless trips to the realm of the beautyful and the artificial – Inspired by Rem Kohlhaas I am the visual kleptomaniac, within piled up layers of lifelessness, of loneliness, disorders, of beauty in transition. Journeys to nonplaces in Berlin and London, urban landscapes. Public space is full of speed yet static, Morbid layers of the void, patterns and destructions, anonymous ornaments.
ENLIGHTENMENT 1 / 1998-2004
Pinhole Camera exposure
36 x 44 cm, 21 x 18 inches
ENLIGHTENMENT 2 / 1998-2004
Pinhole Camera exposure
36 x 44 cm, 21 x 18 inches
ENLIGHTENMENT 3 / 1998-2004
Pinhole Camera exposure
36 x 44 cm, 21 x 18 inches
ENLIGHTENMENT 4 / 1998-2004
Pinhole Camera exposure
36 x 44 cm, 21 x 18 inches
ENLIGHTENMENT 5 / 1998-2004
Pinhole Camera exposure
36 x 44 cm, 21 x 18 inches
ENLIGHTENMENT 6 / 1998-2004
Pinhole Camera exposure
36 x 44 cm, 21 x 18 inches
LONDON ORNAMENTS
My work reflects the belief that memory is fluid and ever changing. Fleeting glimpses into cityscapes and landscapes can turn into a strong sense of presence. A presence of observing, both witnessing and remembering.
LONDON ORNAMENTS 5
1998, Fix Focus Camera
Van Dyke brown (Kallitype)
70 x 99 cm, 28 x 39 inches
LONDON ORNAMENTS 4
1998, Fix Focus Camera
Van Dyke brown (Kallitype)
70 x 99 cm, 28 x 39 inches
LONDON ORNAMENTS 2
1998, Fix Focus Camera
Van Dyke brown (Kallitype)
58 x 58 cm, 23 x 23 inches
LONDON ORNAMENTS 3
1998, Fix Focus Camera
Van Dyke brown (Kallitype)
70 x 99 cm, 28 x 39 inches
LONDON ORNAMENTS 1
1998, Fix Focus Camera
Van Dyke brown (Kallitype)
58 x 58 cm, 23 x 23 inches
BERLIN ORNAMENTS
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BERLIN ORNAMENTS 1 / 1998
fix focus camera
Cyanotypes on etching paper
70 x 99 cm
BERLIN ORNAMENTS 2 / 1998
fix focus camera
Cyanotypes on etching paper
70 x 99 cm
BERLIN ORNAMENTS 3 / 1998
fix focus camera
Cyanotypes on etching paper
70 x 99 cm
BERLIN ORNAMENTS 4 / 1998
fix focus camera
Cyanotypes on etching paper
70 x 99 cm
BERLIN ORNAMENTS 5 / 1998
fix focus camera
Cyanotypes on etching paper
70 x 99 cm
BERLIN ORNAMENTS 6 / 1998
fix focus camera
Cyanotypes on etching paper
70 x 99 cm
BERLIN ORNAMENTS 7 / 1998
fix focus camera
Cyanotypes on etching paper
70 x 99 cm
BERLIN ORNAMENTS 8 / 1998
fix focus camera
Cyanotypes on etching paper
70 x 99 cm
GOTHAM CITY
An atmospheric, introspective feel pervades the images and my memory of this time.
I was getting to know the streets of New York, hidden as a multiple self in Anonymity.
GOTHAM CITY 1 / New York, 1997
Van Dyke brown process, (Kallitype)
62 x 73 cm
GOTHAM CITY 2 / New York, 1997
Van Dyke brown process, (Kallitype)
62 x 73 cm
GOTHAM CITY 3 / New York, 1997
Van Dyke brown process, (Kallitype)
62 x 73 cm
GOTHAM CITY 4 / New York, 1997
Van Dyke brown process, (Kallitype)
62 x 73 cm
GOTHAM CITY 5 / New York, 1997
Van Dyke brown process, (Kallitype)
62 x 73 cm
GOTHAM CITY 6 / New York, 1997
Van Dyke brown process, (Kallitype)
62 x 73 cm
GOTHAM CITY 7 / New York, 1997
Van Dyke brown process, (Kallitype)
62 x 73 cm
GOTHAM CITY 8 / New York, 1997
Van Dyke brown process, (Kallitype)
62 x 73 cm
GOTHAM CITY 9 / New York, 1997
Van Dyke brown process, (Kallitype)
62 x 73 cm